In conversation with the curator of SCAPE
by Carolyn Grundman
CG:
What sparked your passion for art, and how did that lead to your career in the art world?
JD:
My grandmother, a painter, was the first artist I met. She significantly influenced me, and I learned early on the importance of art in a space. In college, my art history professor introduced me to the vast world of contemporary art, deepening my passion. The third pivotal moment was working with the Broad Art Foundation. Being around Eli Broad’s collection showed me how rewarding it is to permanently connect artists with audiences and place their works.
CG:
Can you describe the process of building a connection with an artwork when you first see it in the artist’s studio?
JD:
The art world is all about relationships. What fuels me is the connection between the artist and their work. It’s electrifying when I’m invited into the studio and I can see the artist’s pride and excitement. There’s something special about discovering new work with the artist, and it makes me eager to share it with others.
CG:
Once you connect with an artwork, how do you transition it from the studio to the gallery?
JD:
I often discuss how best to present the work. Sometimes, I have a specific client in mind; other times, we decide to display the work in a larger context, either in a group show or solo exhibition. The goal is always to give the work the attention and platform it deserves.
CG:
After an artwork is displayed in the gallery, how do you reconnect with it, and how do visitors help deepen your understanding?
JD:
The energy in the gallery can be just as exciting as in the studio. I love the exchange that happens with visitors—sharing my knowledge of the work and learning from their reactions. It deepens my understanding and makes the experience of viewing the art richer for everyone involved.
CG:
After an artwork is sold, what does it mean to you to know that it will continue its journey in a new collection?
JD:
I love thinking about an artwork’s journey beyond the gallery. Great art, like children, touches many lives. It might find its way into conversations, dinner parties, or even museums. Knowing I played a part in that journey gives my work real meaning.
CG:
How have your education and past work shaped your current approach to the art world?
JD:
I’ve heard many people say, “I know what I like,” but they like what they know. My education and past experiences pushed me outside my comfort zone, broadening my perspective. Exposure to new ideas, cultures, and viewpoints through art is life-enriching, and I strive to share that experience with others. As one client said, “Once you’ve been exposed to good art, you’ll never want to live without it.”
